Monday, October 31, 2005

Review of Julie Mango

Julie Mango by N.D. Williams. Xlibris Corporation. 300pages. USA. 2000.

Reviewed by D. Gokarran Sukhdeo
(Winner, 1998 Guyana Prize for Literature.)

The last decade or so has seen an immense number of published works emanating from Guyanese writers at home and abroad; some good, some mediocre. One of these works stands head and shoulders among its contemporaries, and certainly ranks among good modern writing. Julie Mangois a collection of short stories by N. D. Williams. It is however surprising and unfortunate that little is known of this author who has written prodigiously before.

Born in Guyana, he was educated at the University of the West Indies and lived a good deal in the islands before migrating to the U.S. Hence, he writes about the West Indian experience �” poverty and astigmatic politics, the astonishing beauty of the Caribbean, and of the anguished peoples sequestered by the sea, their yearning to break out from the limits of their horizons, the opening up of the minds of those who succeed in breaking out, and the sad experiences of those returning to the Caribbean shores.

Good literature is about the purposeful presentation of the lives of people through a language style and structure that will open up the souls of the common man to the reader. It inexorably arouses not just the five senses, but also the deepest emotions, and consequently effects a change in the reader. The reader becomes more informed, more empathetic, more motivated, and more involved. When the good writer describes a desert, the reader must experience a thirst; when he speaks of love, the reader must be ecstatic. The reader must become the protagonist and cry when the hero (or heroine) suffers or triumphs. In the end there must be a lesson to be learned, an example to emulate, or an error to avoid. In effect, good literature, as against the tradition of western popular writings, satisfies a dual purpose �” it represents reality, and promotes morality; or simply put, it both informs and improves the reader. The writer therefore has a responsibility to the reader and to society. He must look beyond the mercenary, as one who is responsible for shaping the mind of his younger brother, one who does not merely strut and fret his hour upon the stage, but also one who must leave social and historical footprints. It is within these parameters that good literature such as Julie Mango is examined.

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Saturday, October 29, 2005

Poem:Brian Chan

Dog At Your Door

 

              In her dark house you sisters sleep still unaware

              of this barking hungry dog outside scratching hard

              at the back door through which he smells your mother’s ghost

              burning up your bread  books and  boots in her oven

 

              You wake first and shake Norma wishing she could keep

              sleeping and dreaming of a song without questions

              and Ruth keeps her eyes shut for she will not tell where

              the key to your mother’s house is that would admit

 

              me who won’t ignore her and let out you who would

 

Brian Chan was born in Guyana and now lives in Alberta, Canada. These poems are from his new collection Gift of Screws which will be published by Peepal Tree Press in February 2006.

            


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November Poems

Poems by Brian Chan

 
 Waiting On The Waitress

 

Empty hands need fire

to play with, to burn by,

so as to smoke a new

 

map of the world in her tired

face now shadowing like a cloud

the questions of your open hand

 

Twilight Over Saskatoon

 Out of the blue-jade

     gouache of a smoky sky,

          the perfect batik-dot of a sun

               stares de haut en bas at us riding this bus

          as though neither it nor we must fade,

      nor the earth turn nor the eye

more gradually dark.

 

 

Brian Chan was born in Guyana and now lives in Alberta, Canada. These poems are from his new collection Gift of Screws to be published by Peepal Tree Press in February 2006.

                                       Copyright 2005©by Brian Chan

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Tuesday, October 11, 2005

“The Mystic Masseur”: Enduring Insights

After 40+ years my Penguin soft cover The Mystic Masseur has survived boxes and climate change and interludes of neglect surprisingly well. The cover though stained still hangs tough, but the pages have faded into brownish-yellow. Reading the novel again the other day I found myself lapsing into that earlier excitement at discovering what a master of West Indian prose and character invention Naipaul already was. Then I started skipping pages, not laughing as much; noticing how rather too often the Great Belcher belches.

Then I paid more attention to the parts I’d underlined  for reasons that are still vague, except perhaps it was possible then to identify similar scenarios of existence  in colonial Guiana, analogous behaviours in our villages and townships far away from Fuente Grove, Trinidad. So here for new readers – from the man who would teach us ways of looking at ourselves! from the Knight surveyor of our darkness! from his Mystic Masseur  – 18 lluminations:

1.         Fuente Grove – Fountain Grove – seemed a curious name. There was no hint of fountain anywhere, no hint even of water. For miles around the land was flat, treeless, and hot. You drove through miles and miles of sugar-cane; then the sugar-cane stopped abruptly to make room for Fuente Grove.

 
2.        “I been thinking. I have a cousin working in the Licensing Office. He could get you a job there, I think. You could drive motor car?”

        “I can’t even drive donkey cart, Mrs. Cooper.”

        “It don’t matter. He could always get a licence for you, and then you ain’t have to do much driving. You just have to test other drivers, and if you anything like my cousin, you could make a lot of money giving out licence to all sort of fool with money.”

 
3.       “Since when you start reading?”

    “I learning all the time, sahib. I does read only a little tiny little bit.

Smatterrer fact, it have a hundred and one words I just can’t make head or tail outa. Tell you what, sahib. Why you don’t read it out to me? When you read I could just shut my eyes and listen.”

        “You does behave funny afterwards. Why you just don’t look at the photo,     

     eh?”

  “Is a nice photo, sahib.”

  “You look at it. I got to go now.”  

 4.      And then there was Soomintra to be faced. Soomintra had married a hardware merchant in San Fernando and she was rich. More than that, she looked rich. She was having child after child, and growing plump, matronly, and important. She had a son whom she had called Jawaharlal, after the Indian leader; and her daughter was called Sarojini, after the Indian poetess.

 
5.       “But, man, we got to think about money now. The time coming when we won’t have a cent remaining.”

          “Look, Leela. Look at this thing in a practical way. You want food? You have a little garden in the back. You want milk? You have a cow. You want shelter? You have a house. What more you want?”

 
6.        “Leela, is not only come I come for you; but I have something to tell you, and I want to tell you first.

          “Say it quick. But I must say you was able to keep it to yourself a damn long time. Eh, eh, is nearly three months now you drive me away from your house and in all that time you never bother to send a message to ask me, ‘Dog, how you is?’ or ‘Cat, how you is?’ So why for you come now, eh?”

 
7.       She cared for the garden at the back of the house and minded the cow. She never complained. Soon she was ruler in the house. She could order Ganesh about and he didn’t object. She gave him advice and he listened. He began to consult her on nearly everything. In time, though they would never have admitted it, they had grown to love each other.

 8.       “I was thinking, man. I didn’t like the taxi-driver. He come here, he see all the books, he never mention them once. He ask for water and for this and for that and he ain’t even say, ‘Thank you.’ And he making a pile of money bringing these poor people here every day.”

 
9.      You never felt that he was a fake and you couldn’t deny his literacy or learning – not with all those books. And he hadn’t only book learning. He could talk on almost every subject. For instance, he had views about Hitler and knew how the war could be ended in two weeks. “One way,” he used to say. “Only one. And in fourteen days, even thirteen – bam! – no more war.”  But he kept the way a secret.

 
10.       “Is what life is, sahib.” Ramlogan followed Ganesh’s gaze.  “Years does pass. People does born. People does married. People does dead. Is enough to make anybody a proper philosopher, sahib.”

          “Philosophy is my job. Today is Sunday….”

 11.     Last Christmas Suruj Mooma take up the children by their grandmooma and this boy just come up to she cool cool and say he taking up dentistry. You could imagine how Suruj Mooma was surprise. And the next thing we hear is that he borrow money to buy one of them dentist machine thing and he start pulling out people teeth, just like that. The boy killing people left and right, and still people going. Trinidad people is like that.

 
12.       He spoke in Hindi but the books he showed in this way were in English, and people were awed by this display of learning.

         His main point was that desire was a source of misery and therefore desire ought to be suppressed. Occasionally he went off at a tangent to discuss whether the desire to suppress desire wasn’t itself a desire; but usually he tried to be as practical as possible.”

 
13.      The boy ran up the steps. “The meeting starting to start, sahib.”

 14.     Then the mood of the meeting changed.

        The bearded negro stood up and made a long speech. He said that he had been attracted to Hinduism because he liked Indians;  but the corruption he had seen that day was entirely repugnant to him. It had, as a matter of fact, decided him to join the Muslims, and the Hindus had better look out when he was a Muslim.

 15.        “You don’t know how lucky you is,” he began, and jumped up immediately, saying, “Gimme a chance. It have a boy here I must give a good cut-arse to. Just gimme a chance.”

            He squeezed his way between desks to a boy in the back row. The class was instantly silent and it was possible to hear the noise from the other classrooms. Then Ganesh heard the boy squealing behind the blackboard.

          The headmaster was sweating when he came back to Ganesh. He wiped his big face with a mauve handkerchief and said, “Yes, I was telling you that you is a lucky man.”

16.        He was in a temper when he returned late that night to Fuente Grove. “Just wanted to make a fool of me,” he muttered, “fool of me.”

           “Leela!” he shouted. “Come, girl, and give me something to eat.”

            She came out, smiling sardonically.  “But, man, I thought you was dining with the Governor.”

           “Don’t make joke, girl. Done dine. Want to eat now. Going to show them,” he mumbled, as his fingers ploughed through the rice, and dal and curry, “going to show them.”

17.        “Suruj Mooma right, you know. Too much of this education is a bad bad thing. You remain here, educate yourself and yet you is a bigger man than Indarsingh for all the Ox-ford he say he go to.”

18.       They brought their sadnesses to Fuente Grove, but they made the place look gay. Despite the sorrow in their faces and attitudes they wore clothes as bright as any wedding crowd: veils, bodices, skirts all strident pink, yellow, blue or green.

Excerpts taken from The Mystic Masseur: V.S. Naipaul: Penguin Edition, 1964   

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Wednesday, October 5, 2005

October Poem

 

             To A Fish Out Of Water

 
                 You know your loneliness is final

                 when the best words no longer comfort

                 and breath flows neither bitter nor sweet

                 in your indifference of a desert

                 whose cathedrals that match your cool are

                 looming around you like dried cacti.

                 Your despair rhymes with their stark stare but their

                 plainness finds no echo in your skew eye.

    

Brian Chan was born in Guyana and now lives in Alberta, Canada. These poems are from his new collection Gift of Screws to be published by Peepal Tree Press in February 2006.

                                       Copyright 2005©by Brian Chan

 

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Sunday, October 2, 2005

Free Book Promotion

Absolutely free book promotion for any author - with author and reader reviews, book descriptions and where to buy.

Author Reviews

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